The action sequences of this movie have been really impressive. I can't get enough of the explosive scene in which the camera revolves roughly 250 degrees in pause/slow motion. This movie doesnot contain much quotes but has amazing delivery especially by John Travolta. This 99 minute movie contains good number of known actors but really showed me how good Hugh Jackman can play in a different role (The previous being Wolverine in X-Men). The main characters in this movie are Gabriel Shear (John Travolta), Stanley Jobson (Hugh Jackman), Ginger Knowles (Halle Berry), Agent J.T. Roberts (Don Cheadle), Marco (Vinnie Jones), Axl Torvalds (Rudolf Martin). The music really blends with each and every scene. For instance, John Travolta's entry scene from the convertible into the club; Halle Berry's entrance from the red convertible in her red dress and many other scenes. Now here are some of the quotes in order of appearance.
Gabriel Shear: You know what the problem with Hollywood is? They make shit. Unbelievable, unremarkable shit. Now I'm not some grungy wannabe filmmaker that's searching for existentialism through a haze of bong smoke or something. No, it's easy to pick apart bad acting, short-sighted directing, and a purely moronic stringing together of words that many of the studios term as "prose". No, I'm talking about the lack of realism. Realism; not a pervasive element in today's modern American cinematic vision. Take Dog Day Afternoon, for example. Arguably Pacino's best work, short of Scarface and Godfather Part 1, of course. Masterpiece of directing, easily Lumet's best. The cinematography, the acting, the screenplay, all top-notch. But... they didn't push the envelope. Now what if in Dog Day, Sonny REALLY wanted to get away with it? What if - now here's the tricky part - what if he started killing hostages right away? No mercy, no quarter. "Meet our demands or the pretty blonde in the bellbottoms gets it the back of the head." Bam, splat! What, still no bus? Come on! How many innocent victims splattered across a window would it take to have the city reverse its policy on hostage situations? And this is 1976; there's no CNN, there's no CNBC, there's no Internet! Now fast forward to today, present time, same situation. How quickly would the modern media make a frenzy over this? In a matter of hours, it'd be biggest story from Boston to Budapest! Ten hostages die, twenty, thirty; bam bam, right after another, all caught in high-def, computer-enhanced, color corrected. You can practically taste the brain matter. All for what? A bus, a plane? A couple of million dollars that's federally insured? I don't think so. Just a thought. I mean, it's not within the realm of conventional cinema... but what if?
Stanley Jobson: Well, well, well. Who you supposed to be?
Ginger Knowles: I'm Ginger.
Stanley: Ginger, Huh! Where's Gilligan?
Ginger: For someone the NSA once listed as the most dangerous hacker in America. Sure don't look like much? Surprised? I know everything there is to know about you Stan.
Axl Torvalds: He exists in a world beyond your world. What we only fantasize, he does. He lives a life where nothing is beyond him. But you know what? It's all a facade. For all his charm and charisma, his wealth, his expensive toys... he's a driven, unflinching, calculating machine. He takes what he wants, when he wants... and disappears.
Roberts: So how do I find him?
Axl Torvalds: You don't find him, he finds you. Here's how it works. His people pick me up, they take me to him. Then he tells me what he wants me to do. I do the job right there. I get paid and I leave.
Ginger: You know, you should really have let me buy you a suit, Stanley.
Stanley: I'm happy with what I'm wearing, thank you.
Ginger: Ignorance is bliss.
Gabriel: Big Stan! Nice suit.
Stanley: Thanks.
Gabriel: They say it's the suit that makes the man.
Stanley: Buy it?
Gabriel: Hope not!
Gabriel: Have you ever heard of Harry Houdini? Well he wasn't like today's magicians who are only interested in television ratings. He was an artist. He could make an elephant disappear in the middle of a theater filled with people, and do you know how he did that? Misdirection.
Stanley: What the f*** are you talking about?
Gabriel: Misdirection. What the eyes see and the ears hear, the mind believes.
Stanley: How can you justify all this?
Gabriel: You're not looking at the big picture Stan. Here's a scenario. You have the power to cure all the world's diseases but the price for this is that you must kill a single innocent child, could you kill that child Stanley?
Stanley: No.
Gabriel: You disappoint me, it's the greatest good.
Stanley: Well how about 10 innocents?
Gabriel: Now you're getting it, how about a hundred - how about a THOUSAND? Not to save the world but to preserve our way of life.
Stanley: No man has the right to make that decision; you're no different from any other terrorist.
Gabriel: No, you're wrong Stanley. Thousands die every day for no reason at all, where's your bleeding heart for them? You give your twenty dollars to Greenpeace every year thinking you're changing the world? What countries will harbor terrorists when they realize the consequences of what I'll do? Did you know that I can buy nuclear warheads in Minsk for forty million each? Hell, I'd buy half a dozen and even get a discount!
Stanley: It's not gonna end like this.
Gabriel: Oh, come on, Stan. Not everything ends the way you think it should. Besides, audiences love happy endings.
1 comment:
great quotes- thanks
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